Review: The Monkees ‘Headquarters’ Super Deluxe Edition Box Set

Of the nine studio albums The Monkees recorded and released during their initial mid/late 1960’s period, their 1967 third album ‘Headquarters’ is universally recognized as The Monkees most famous and iconic record. After two albums released with studio musicians under the supervision of music coordinator Don Kirshner, ‘Headquarters’ was the group’s declaration of independence where their talents as a functioning band were on full display as they finally were allowed to perform the majority of the music themselves. While slightly rough in spots, the garage band feel of the album under the musical supervision of producer Chip Douglas and with Michael Nesmith taking on the helm of group leader, ‘Headquarters’ became the Monkees third number one charting album in a row. The band’s efforts have been previously examined in the 2000 Rhino Handmade ‘Headquarters Sessions’ box set and the 2007 two disc Deluxe Set. Now Rhino has finally released the highly anticipated 4 cd disc Super Deluxe Edition set produced by the Grammy Award winning producer, Monkees expert and chronicler Andrew Sandoval, and it was well worth the wait.

Under Sandoval’s meticulous supervision and attention to detail, the four discs are filled to capacity with tons of bonus tracks, session tapes, studio chatter, and accompanied by a booklet of informative liner notes by Sandoval that chronicle the entire genesis of the making of ‘Headquarters’, including the creative battle of wits between Don Kirshner and the Monkees. The essay is a condensed version of the more detailed account found in Sandoval’s extensive rewrite of his 2021 book ‘The Monkees: The Day To Day Story’. The booklet with the liner notes has great photos of the Monkees, Chip Douglas, Don Kirshner, Jeff Barry and the other major actors involved during the period of the sessions which would be almost worth the price of admission alone. But the main focus of the set is the amazing treasure trove of music spread out over the four cd discs with 67 previously unreleased tracks.

The discs are broken up into four thematic sections: a new 2022 remix of the original album with additional bonus material, the January 1967 Sessions, the February 1967 Sessions and the March 1967 Sessions and Beyond. The remix of the ‘Headquarters’ album found on Disc 1 is a major revelation on its own. Working with the original multitrack tapes, all of which still exist, Sandoval has created a new version that enhances the listening experience by centering the drums and bass on the mix without compromising the integrity of the record. The clarity is astounding, it’s like listening to ‘Headquarters’ for the first time, which with this mix you are. The stereo picture is very close to the mono mix of the album which brings out sound textures previously buried in the original mixes. There are longer fadeouts on some of the songs like ‘Forget That Girl’, ‘Shades Of Grey’ and clean endings to ‘Early Mornings Blues And Greens’ and ‘Randy Scouse Git’ which add to the fun of those songs. The bonus tracks on disc one include the first and second versions of ‘The Girl I Knew Somewhere’, amazing remixed versions of ‘All Of Your Toys’, ‘A Little Bit Me, A Little Bit You’, the first version of ‘She Hangs Out’ with a longer fadeout, ’99 Pounds’ and ‘You Can’t Tie A Mustang Down’ that practically leap out of your speakers, headphones and ear buds. Even the weaker numbers ‘If I Learned To Play The Violin’ and ‘Sally’ (‘I Didn’t Know You Had It In You Sally’) have a bit of a kick to them in these remixes. Two songs on disc one, ‘Gotta Give It Time’ and ‘Love To Love’, originally produced by Jeff Barry and Brendan Cahill in 1967 and used by the late Adam Schlesinger for the 2016 ‘Good Times!’ album’, have also been remixed and enhanced with less reverb on the 2016 Micky Dolenz lead vocals and Michael Nesmith’s backing vocals brought up higher in the mix on the former track and on the latter track using Davy Jones’ 1969 vocals with the 2016 backing vocals of Dolenz and Peter Tork also brought up in the mix with much more clarity.

Disc 2 features the January 1967 sessions that begins with the previously unreleased instrumental demo sessions recorded at the legendary Gold Star Studios for ‘The Girl I Knew Somewhere’ and ‘All Of Your Toys’, with the Monkees playing the backing tracks and Chip Douglas in the producer’s seat, that were intended for Don Kirshner to listen to and prove that the group were adequately capable of accompanying themselves on their records. Another of the Monkees’ recorded backing tracks is ‘She’s So Far Out, She’s In’ which the group were performing on their early concerts. (A live version with Nez singing lead from the 1967 Arizona concert can be found on the ‘More Of The Monkees’ Super Deluxe Box Set.) The majority of Disc 2 are the various backing tracks for ‘Love To Love’, ‘A Little Bit Me, A Little Bit You’, ‘Gotta Give It Time’, ’99 Pounds’ ‘She Hangs Out’ and ‘Mustang’. Many of these tracks were supervised by Kirshner with producer Jeff Barry at the helm at the New York RCA studios. The majority of these tracks were up for consideration for the proposed Kirshner supervised third Monkees album. Among the recorded backing track are those written and produced by the team of Denny Randell and Sandy Linzer which include ‘Love Is On The Way’, ‘Sally’, ‘I Wanna Be Your Puppy Dog’ and ‘Sugar Man’, the latter song notoriously confused with Jeff Barry and Andy Kim’s ‘Sugar, Sugar’ which became a hit for The Archies in 1969 with Ron Dante singing the lead. Andrew Sandoval definitively dispels the erroneous myth that ‘Sugar, Sugar’ was offered and rejected by the Monkees in 1967 when in actuallity it wasn’t composed until late 1968, a fact corroborated by the song’s writers Barry and Kim. Other backing tracks of songs for the proposed third Monkees album include ‘Poor Little Me’, ‘Eve Of My Sorrow’, ‘The Love You Got Inside’, ‘If I Learned To Play The Violin’ and ‘Black And Blue’ which was written by Neil Diamond. The remainder of the disc is rounded out by demo takes and mono mixes of ‘Seeger’s Theme’ with Peter Tork on acoustic guitar and whistling, ‘The Girl I Knew Somewhere’ and ‘All Of Your Toys’.

 

 

As chronicled in Sandoval’s liner notes, Don Kirshner was eventually ousted from his position as music supervisor when he breeched his contract by issuing through RCA Records in Canada an unauthorized single of ‘A Little Bit Me, A Little Bit You’ backed with the early version of ‘She Hangs Out’ with vocals by Davy Jones instead of the group recorded ‘The Girl I Knew Somewhere’ with Micky Dolenz on lead vocals that was offered as a compromise which Kirshner refused and saw as an affront to his authority. With Don finally out of the picture, the Monkees along with Chip Douglas and engineer Hank Cicalo, Disc 3 of the February 1967 sessions presents the group as a musical working unit as they properly begin work on the album that would become ‘Headquarters’. Among the tracks are alternate versions of ’99 Pounds’, ‘She Hangs Out’, the Monkees’ recorded ‘Mr. Webster’, ‘Sunny Girlfriend’, the in-studio demos for ‘She’ll Be There’ and ‘Midnight Train’ with Micky and his sister Coco singing together, Peter Tork’s early rough mono mix of ‘Can You Dig It?’, Michael Nesmith’s mono mix demo of ‘Nine Times Blue’, individual demos of Davy and Nesmith singing ‘Until It’s Time For You To Go’ that Nez first recorded as Michael Blessing and with Michael accompanying Davy on acoustic guitar. The cd also includes the mono single mixes for ‘A Little Bit You, A Little Bit Me’, ‘She Hangs Out’ and ‘The Girl I Knew Somewhere’.

Disc 4 rounds out the set with the March 1967 sessions. Among the gathered gems are alternate vocal versions of ‘Randy Scouse Git’, ‘You Told Me’, ‘Forget That Girl’, ‘You Just May Be the One’, ‘No Time’, demo takes for Micky’s ‘Just A Game’ and ‘Pillow Time’ which was written by his mother Janelle Scott and Matt Willis, a version of ‘Early Morning Blues And Greens’ with alternating vocals between Davy and Peter, an informal recording of Tom Paxton’s ‘The Last Thing On My Mind’ with Peter on lead vocal and harmony vocals by Micky, an alternate vocal version of ‘Randy Scouse Git’ with a quick segue into the traditional song ‘East Virginia’, Micky and Peter fooling around on ‘Joshua Fit The Battle Of Jericho’, an unedited demo of Nesmith’s ‘Cantata & Fugue In C&W’ (which Nez later rerecorded on his own and appears as a bonus track on the 7a Records reissue of ‘And Hits Just Keep On Comin’), backing tracks for Harry Nilsson’s ‘The Story Of Rock And Roll’, a ‘Zilch’ concert tickets radio contest spot for KHJ Radio, the TV edit of ‘For Pete’s Sake’, the mono version of the ‘Tema Dei Monkees’ Italian 45 single with an additional stereo LP version that appeared on ‘I Monkees in TV’ Italian album and mono mixes for ‘Love To Love’ (originally issued on the 1979 ‘Monkeemania: 40 Timeless Hits From The Monkees’Australian LP), ‘You Can’t Tie A Mustang Down’ and ’99 Pounds’ which was originally issued on the Monkees final album ‘Changes’ in 1970.

But Wait, There’s More!!! A bonus 45 single with the 1967 mono mixes of ‘All Of Your Toys’ backed with ‘The Girl I Knew Somewhere’ with Michael Nesmith on lead vocals is the cherry on the cake.

The box set is beautifully put together with alternate front and back cover photos on the additional cds, the booklet filled with extensive and informative liner notes by Andrew Sandoval that gives you a basic primer on the history of the ‘Headquarters’ album with a fascinating peek behind the scenes of the backstage machinations and intrigues. There are many fantastic photos taken during the studio sessions that includes pictures of the master tapes boxes which are an extra treat. And, as a nod to those who purchased the 2000 Rhino Handmade ‘Headquarters Sessions’ box set, the inner casing of the box is made to resemble the cardboard OBI belt that secured that set, a nice little Easter egg for Monkees collectors.

Andrew Sandoval deserves extra kudos for compiling and producing this incredible collection. Monkees fans who purchase this set, which is limited to 4,000 units, will have hours of fun diving deep into the various contents of the box. The set can only be purchased at a reasonable price for such a jam packed collection on Rhino’s Monkees Shop Online Link and will NOT be available on any other online sale outlets like Amazon. Unless Rhino decides to run another batch of boxes, once it’s gone, it’s gone, and it will be expected to garner outrageously big bucks on sites like eBay down the road. The success of this set will also bode well for, hopefully, a super deluxe box set of the ‘Pisces, Aquarius, Capricorn and Jones, Ltd’ album, and perhaps, if all the master tape elements and materials can be located or miraculously turns up, fingers crossed, a deluxe edition of ‘Changes’.

The 2022 ‘Headquarters’ Super Deluxe Edition Box set is not only fantastic in its own right, it makes the perfect companion piece to the earlier 2000 ‘Headquarters Sessions’ and 2007 Deluxe Edition two cd set. An album this important deserves the deluxe treatment this set provides.

In 1967 The Monkees were looking for respect. With the 2022 ‘Headquarters’ Super Deluxe Edition Box Set, they more than earned it.

The 2022 ‘Headquarters’ Super Deluxe Edition Box Set can ONLY be ordered on the online Rhino Monkees Store:

Rhino/Monkees Store Order Link: https://monkeesstore.warnermusic.com/en/the-monkees/home/the-monkees—headquarters-super-deluxe-edition/081227883836.html

The 2000 ‘Headquarters Sessions’ set is also available for Digital Streaming and Download Purchase on most Streaming Services like Apple/iTunes, Amazon Music and Spotify.

Fred Velez, 2022.

Fred Velez is the author of the books ‘A Little Bit Me, A Little Bit You: The Monkees From A Fan’s Perspective’, ‘A Little Bit Me, A Little Bit You 2: The Monkees From International Fan Perspectives’ and the Monkees themed Holiday CD ‘A Little Bit Christmas’.

FreddyPop Shop Link: https://freddypop.wordpress.com/freddy-pop-shop/